Gaar Williams
American, 1890 - 1935
Contents
1 Portfolios
2 Books
3 References
4 Further reading
5 External links
He drew his first cartoons for publication while he was the staff artist for the Richmond High School magazine, Argus. After studies at Cincinnati Art Academy and the Chicago Art Institute, Williams began cartooning in 1904 for the Chicago Daily News, where he stayed for three years. He joined the Indianapolis News in 1909. In Indianapolis, where he had a growing reputation as a designer of book plates, he married Magdalena "Lena" Engelbert, a graduate of Earlham College in his hometown.
His well-known drawings include The End of a Perfect Day, depicting the American doughboy returning from WWI, and Long Boy, published on the William Herschell song sheet. After illustrating Keeping Up with William (Bobbs-Merrill, 1918) by Irving Bacheller,[1] he illustrated Ring Lardner's The Young Immigrants (Bobbs-Merrill, 1920). In 1921, Williams moved to the Chicago Tribune, where he stayed for the next 14 years. The Tribune reprinted his work in at least a dozen portfolios: Zipper (1935) reprinted 25 of his 1932-34 cartoons about the dog Zipper. Hunting and Fishing (1935) reprinted 30 of his cartoons from 1927-34. Others were Among the Folks in History (four portfolios), Mort Green and Wife, Our Secret Ambition, Something Ought to be Done About This, Static, A Strain on the Family Tie and Wotta Life! Wotta Life!
By the time of his death in 1935, his cartoons were being published in 39 newspapers. He was buried at Earlham Cemetery in Richmond, Indiana.
REFERENCES
Bacheller, Irving. Keeping Up with William, Bobbs-Merrill, 1918.
Person Type(not assigned)