Maurice Sterne
American, 1877 - 1957
Birth-PlaceLatvia
Death-PlaceMount Kisco, NY
BiographyMaurice Sterne (1877/78–1957), born in Latvia, was an American sculptor and painter remembered today for his association with philanthropist Mabel Dodge Luhan, to whom he was married from 1916 to 1923. He began his career as a draftsman and painter, and critics noted the similarity of his work, in its volume and weight, to sculpture. Ine late 1890s, Sterne studied under Alfred Maurer and Thomas Eakins at the National Academy of Design, and then traveled widely in Europe and the Far East. A trip to Greece in 1908 introduced him to archaic Greek statues, inspiring him to experiment with the form himself in stone. He also traveled to Bali to paint and sketch, which further informed his later work. His reputation was established by a show at the Scott and Fowles Gallery in 1926 and furthered by a restrospective at the Museum of Modern Art in 1933. In the mid-1930s, Sterne lived in San Francisco and taught at the California School of Fine Arts. he returned to the East Coast in 1945 and established a studio in Mt. Kisco, New York. He was named to the American Academy of Arts and Letters in 1938. From 1945 to 1950, he served on the U.S. Commission of Fine Arts.[1]In addition to his murals in the library of the Department of Justice in Washington, D.C., Sterne's works are in the collections of the Metropolitan Museum of Art, the Art Institute of Chicago, the Corcoran Gallery of Art, and the Phillips Collection.[2] Sterne was one of a dozen sculptors invited to compete in the Pioneer Woman statue competition in 1927,[3] which he failed to win. Sterne died in 1957.
REFERENCES
Thomas E. Luebke, ed., Civic Art: A Centennial History of the U.S. Commission of Fine Arts (Washington,, D.C.: U.S. Commission of Fine Arts, 2013): Appendix B, p. 555.
Jump up ^ Civic Art: A Centennial History of the U.S. Commission of Fine Arts
Jump up ^ Exhibition of Models for a Monument to the Pioneer Woman at the Chicago Architectural Exhibition, East Galleries, Art Institute of Chicago, June 25 to August 1, 1927
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