Louis Stettner
Louis Stettner (born 7 November 1922) is an American photographer of the 20th century whose work includes streetscapes, portraits and architectural images of New York and Paris. His work has been highly regarded because of its humanity and capturing the life and reality of the people and streets of both cities. Since 1947, Stettner has photographed the changes in the people, culture, and architecture of both cities. Now in his 80s, he continues to photograph New York and Paris. Louis Stettner was born on November 7, 1922, in Brooklyn, New York where he was raised as one of four children. His father was a cabinet maker and Louis learned the trade when young, using the money to support his growing love of photography. He was given a box camera as a child and his love affair with photography began. His family went on trips to Manhattan and visited museums including the Metropolitan Museum of Art where he began his love of art.
At 18, in 1940, Stettner enlisted in the army and became a combat photographer in Europe for the Signal Corps. After a brief stint in Europe he was sent to New Guinea, the Philippines, and Japan. Back from the war he joined the Photo League in New York. Stettner visited Paris in 1946 and in 1947 moved there. From 1947 to 1949 he studied at the "Institut des Hautes Études Cinématographiques" in Paris and received a Bachelor of Arts in Photography & Cinema. He went back and forth between New York and Paris for almost two decades and finally settled permanently in Saint-Ouen, near Paris, in 1990. Stettner still frequently returns to New York. Stettner's professional work in Paris began with capturing life in the post-war recovery. He captured the everyday lives of his subjects. In the tradition of the Photo League, he wanted to investigate the bonds that connected people regardless of class. In 1947 he was asked by the same Photo League to organize an exhibition of French photographers in New York. He gathered the works of some of the greatest photographers of the era, including Doisneau, Brassaï, Édouard Boubat, Izis, and Ronis. The show was a big success and was largely reviewed in the annual issue of U.S. Camera. Stettner had begun a series of regular meetings with Brassaï who was a great mentor and had significant influence on his work. In 1949, Stettner had his first exhibition at the “Salon des Indépendants" at the Bibliothèque Nationale, Paris.
In 1951 his work was included in the famous Subjektive Fotografie exhibition in Germany. During the 1950s he free-lanced for Time, Life, Fortune, and Du (Germany). While in Paris he reconnected with Paul Strand who had also left New York because of political intolerance of the Mc Carthy era–both Strand had been a founder of the Photo League that would be blacklisted then banned during those years.[1]
In the 1970s Stettner spent more time in New york City where he taught at Brooklyn College, Queens College, and Cooper Union.[1]
In his own work, Stettner focused on documenting the lives of the working class in both Paris and New York. He felt and still believes that the cities belong to the people that live there, not the tourists and visitors. His upbringing caused him to take great care in capturing the simple human dignity of the working class. He also captured great architectural images of both cities including bridges, buildings and monuments.
REFERENCES
http://www.loustettner.com/biography.htm
^ Jump up to: a b c d e f g h i j k l m n o p Louis Stettner: Wisdom Cries out in the Streets, p.299.
